The crowded Broadway theaters, vital to the city's tourism industry, were the first places closed by the New York government as the coronavirus began to ravage the state. "Hopefully, none of us have it, because if one of us have it, we all have it," she said. Playing the show's heroine Christine required Picerno to kiss two co-stars daily and to sing full-throated love songs with them unmasked and at close range. She knew her job came with risks of exposure. "I'm a full-on monk now," she said during a rushed lunch break between back-to-back run-through. Outside long days in a chilly mirror-lined rehearsal studio near New York City's Times Square, Picerno had put herself back on what she called lockdown. Meghan Picerno was back at work after 18 months of pandemic limbo, overjoyed to be singing and dancing again with her "Phantom of the Opera" castmates as they rehearsed for the return of Broadway's longest-running show.Īs the musical's late October reopening neared, sometimes all Picerno could think about was making it to the first curtain call unscathed by the breakthrough COVID-19 cases that had sidelined vaccinated actors at other shows.
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